Group exhibition curated by Chris Johanson

Nov 9 - Dec 17, 2022
  • Mario Ayala, Jamal Gunn Becker, Rachid Bouhamidi, Susan Cianciolo, Alex Cohen, Erica Dawn Lyle, Francesca Gabbiani, Sara Mayako Gernsbacher, Marsea Goldberg, Zach Harris, Johanna Jackson, JPW3, Gary Panter, Kyle Ranson, Dylan Roberts, Rommel Romo, Aaron Rose, Eddie Ruscha, Louis M. Schmidt, Ross Simonini, Taravat Talepasand, Jenna Thornhill, Monica Canilao & Xara Thustra, Erin Trefry, Phil Wagner, and Aaron Wrinkle

     

  • In conjunction with his solo exhibition at Altman Siegel, Chris Johanson presents a selection of works by 26 artists whose practices he admires. The group show joins together a diverse array of works by friends and colleagues, all of whom serve as sources of inspiration for Johanson’s own practice.

  • “We had just moved to L.A. to try out a new sky and place to be. We were staying in the hills above Griffith Park at a friend’s and had taken to long walks and bike rides. 

     

    It was just below at the start of the miles of flat streets on Franklin on a ride that I happened upon a yard sale. A friendly older bohemian person greeted me, letting me know he was selling everything. The yard and driveway were covered in interesting vintage objects. There were a lot of doubles water skis, but only one from each pair. “You never know when you could use one of these.”  We talked for a while as I inquired about getting this or that. “Oh, I’m not sure I can let that go. Let me think about that one.” “OK” I said and let him know maybe I’d come back. 

     

    And I did. This time staying for quite a while. He invited me inside, upstairs to his apartment above the garage. “I’m selling everything. I have to move.” There was so much stuff. I kept inquiring about things for sale and he would say he would think about what he would sell it for or if he really did want to let it go. One would probably describe him as a hoarder. It was here I realized he was an artist. Lots of paintings of a woman in profile. Over and over painted over many years. He had met the woman he painted at an art school back east. Must have been in the 1960s judging by his age. I was told she was a beautiful person. I recall him telling me she was the daughter of a famous comedian in Hollywood. He loved her and many years ago they had stopped seeing each other. But he continued painting her. Gradually he incorporated these crisscrossed patterns of vibrant colors that were plaid variants in the backgrounds of her. I shared my appreciation for his work describing what I liked about it. He took out a pocket tape recorder and asked if he could record what I’d said. I felt maybe he needed the recording of the encounter we were having like the objects he was keeping. The conversation shifted back to his move, and I was glad to hear that as hard as getting out of there was going to be that he did have a place to go. 

     

    I never did see him again. It was perfect magical entrance to moving to a new place. I was personally at a crossroads of change in my life in which I knew art making was a good friend that I still wanted to know but did not know how much else was going to go."

     

    -        Chris Johanson

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    • Rachid Bouhamidi Catapult 3, 2022 Oil and acrylic on wood 16 x 24 in 40.6 x 61 cm
      Rachid Bouhamidi
      Catapult 3, 2022
      Oil and acrylic on wood
      16 x 24 in
      40.6 x 61 cm
    • Monica Canilao, Xara Thustra Reflection, refraction, 2018 Graphite, acrylic, gouache, and latex paint on framed out wood panel 36 x 24 in 91.4 x 61 cm
      Monica Canilao, Xara Thustra
      Reflection, refraction, 2018
      Graphite, acrylic, gouache, and latex paint on framed out wood panel
      36 x 24 in
      91.4 x 61 cm
    • Zach Harris 2020 Calendar / Chair, 2018 - 2019 Water-based paint, ink, graphite, conte crayon, and aluminum on carved wood 73 x 42 3/8 x 1 7/8 in 185.4 x 107.6 x 4.8 cm
      Zach Harris
      2020 Calendar / Chair, 2018 - 2019
      Water-based paint, ink, graphite, conte crayon, and aluminum on carved wood
      73 x 42 3/8 x 1 7/8 in
      185.4 x 107.6 x 4.8 cm
    • Dylan Roberts Anthro.Shadow, 2021 Heat transfer, ink on canvas 30 x 20 x 1 3/4 in 76.2 x 50.8 x 4.4 cm
      Dylan Roberts
      Anthro.Shadow, 2021
      Heat transfer, ink on canvas
      30 x 20 x 1 3/4 in
      76.2 x 50.8 x 4.4 cm
    • Dylan Roberts 57, 2020 Heat transfer, ink on canvas 12 x 9 x 1 3/4 in 30.5 x 22.9 x 4.4 cm
      Dylan Roberts
      57, 2020
      Heat transfer, ink on canvas
      12 x 9 x 1 3/4 in
      30.5 x 22.9 x 4.4 cm
    • Chris Johanson, Johanna Jackson Table I, 2019 Reclaimed wood and glazed porcelain tiles 30 3/8 x 29 1/8 x 22 in 77.2 x 74 x 55.9 cm
      Chris Johanson, Johanna Jackson
      Table I, 2019
      Reclaimed wood and glazed porcelain tiles
      30 3/8 x 29 1/8 x 22 in
      77.2 x 74 x 55.9 cm
    • Johanna Jackson Candle holder with under-determined clock, 2022 Porcelain 11 x 7 in 27.9 x 17.8 cm
      Johanna Jackson
      Candle holder with under-determined clock, 2022
      Porcelain
      11 x 7 in
      27.9 x 17.8 cm
    • Johanna Jackson Pink bowl with flower and flies, 2022 Porcelain 3 x 8 x 8 in 7.6 x 20.3 x 20.3 cm
      Johanna Jackson
      Pink bowl with flower and flies, 2022
      Porcelain
      3 x 8 x 8 in
      7.6 x 20.3 x 20.3 cm
    • Erin Trefry One Meter of River, 2021 Oil paint, linen, pins and earth from the Dead Sea 72 x 48 in 182.9 x 121.9 cm
      Erin Trefry
      One Meter of River, 2021
      Oil paint, linen, pins and earth from the Dead Sea
      72 x 48 in
      182.9 x 121.9 cm
    • Marsea Goldberg Lotus Land, 2021 Silk paint on silk 72 x 54 in 182.9 x 137.2 cm
      Marsea Goldberg
      Lotus Land, 2021
      Silk paint on silk
      72 x 54 in
      182.9 x 137.2 cm
    • Francesca Gabbiani Limelight, 2021 Acrylic airbrush, ink, gouache and colored paper on paper Framed: 19 x 16 1/2 in 48.3 x 41.9 cm
      Francesca Gabbiani
      Limelight, 2021
      Acrylic airbrush, ink, gouache and colored paper on paper
      Framed: 19 x 16 1/2 in
      48.3 x 41.9 cm
    • Gary Panter Triffid, 2020 Ink and watercolor on 2 ply Strathmore drawing paper 11 x 8 1/2 in 21.6 x 27.9 cm Framed: 14 1/4 x 11 1/8 in 36.2 x 28.3 cm
      Gary Panter
      Triffid, 2020
      Ink and watercolor on 2 ply Strathmore drawing paper
      11 x 8 1/2 in
      21.6 x 27.9 cm
      Framed: 14 1/4 x 11 1/8 in
      36.2 x 28.3 cm
    • Kyle Ranson Speed Cops, 2019 Spray paint, acrylic, wood 18 x 40 in 45.7 x 101.6 cm
      Kyle Ranson
      Speed Cops, 2019
      Spray paint, acrylic, wood
      18 x 40 in
      45.7 x 101.6 cm
    • Rommel Romo CBCA, 2021 Silk screen print on card stock 11 x 8 1/2 in each 27.9 x 21.6 cm Framed: 15 x 12 in each 38.1 x 30.5 cm
      Rommel Romo
      CBCA, 2021
      Silk screen print on card stock
      11 x 8 1/2 in each
      27.9 x 21.6 cm
      Framed: 15 x 12 in each
      38.1 x 30.5 cm
    • Susan Cianciolo RUN 13, 2020 Mixed media and collage on dress and coat 51 x 18 x 2 in 129.5 x 45.7 x 5.1 cm
      Susan Cianciolo
      RUN 13, 2020
      Mixed media and collage on dress and coat
      51 x 18 x 2 in
      129.5 x 45.7 x 5.1 cm
    • Alex Cohen Olive branch for self, 2022 Acrylic on canvas 13 x 15 1/2 in 33 x 39.4 cm
      Alex Cohen
      Olive branch for self, 2022
      Acrylic on canvas
      13 x 15 1/2 in
      33 x 39.4 cm
    • Mario Ayala Kaplan's Tow, 2022 Acrylic on Masonite 18 x 24 in 45.7 x 61 cm
      Mario Ayala
      Kaplan's Tow, 2022
      Acrylic on Masonite
      18 x 24 in
      45.7 x 61 cm
    • JPW3 Snake Head Drifter 13, 2022 Oil and acrylic on panel 50 x 40 in 127 x 101.6 cm
      JPW3
      Snake Head Drifter 13, 2022
      Oil and acrylic on panel
      50 x 40 in
      127 x 101.6 cm
    • Ross Simonini Milk Heaven, 2022 Milk paint (olive oil, fossilized sea shells, pine resin, flax oil, beeswax, pigment, soap, salt), trace minerals, cedarwood oil, graphite on muslin in walnut frame 16 x 22 in 40.6 x 55.9 cm Framed: 21 1/4 x 26 3/4 in 54 x 67.9 cm
      Ross Simonini
      Milk Heaven, 2022
      Milk paint (olive oil, fossilized sea shells, pine resin, flax oil, beeswax, pigment, soap, salt), trace minerals, cedarwood oil, graphite on muslin in walnut frame
      16 x 22 in
      40.6 x 55.9 cm
      Framed: 21 1/4 x 26 3/4 in
      54 x 67.9 cm
    • Ross Simonini Three Under Drawings, 2021 Ink, cardboard, linen tape on paper in walnut frame Framed: 11 1/2 x 17 1/2 in 29.2 x 44.5 cm
      Ross Simonini
      Three Under Drawings, 2021
      Ink, cardboard, linen tape on paper in walnut frame
      Framed: 11 1/2 x 17 1/2 in
      29.2 x 44.5 cm
    • Aaron Wrinkle wake up go back to bed, 2022 Raw oil on primed canvas 20 x 16 in 50.8 x 40.6 cm
      Aaron Wrinkle
      wake up go back to bed, 2022
      Raw oil on primed canvas
      20 x 16 in
      50.8 x 40.6 cm
    • Aaron Wrinkle am sleep mode, 2022 Raw oil on primed canvas 20 x 16 in 50.8 x 40.6 cm
      Aaron Wrinkle
      am sleep mode, 2022
      Raw oil on primed canvas
      20 x 16 in
      50.8 x 40.6 cm
    • Phil Wagner Untitled, 2022 Silkscreen on canvas, spray paint, polyurethane and tinted epoxy resin 44 x 32 in 111.8 x 81.3 cm
      Phil Wagner
      Untitled, 2022
      Silkscreen on canvas, spray paint, polyurethane and tinted epoxy resin
      44 x 32 in
      111.8 x 81.3 cm
    • Sara Mayako Gernsbacher Flower Stack RYBB, 2022 Pigment and silicone on canvas 98 x 28 in 248.9 x 71.1 cm
      Sara Mayako Gernsbacher
      Flower Stack RYBB, 2022
      Pigment and silicone on canvas
      98 x 28 in
      248.9 x 71.1 cm
    • Susan Cianciolo Früit, 2020 Gouache, pen, crayon and collage on paper and canvas 15 1/2 x 20 in 39.4 x 50.8 cm
      Susan Cianciolo
      Früit, 2020
      Gouache, pen, crayon and collage on paper and canvas
      15 1/2 x 20 in
      39.4 x 50.8 cm
    • Aaron Rose Peduncle, 2022 Mixed media on electric chord organ 30 x 24 1/2 x 10 in 76.2 x 62.2 x 25.4 cm
      Aaron Rose
      Peduncle, 2022
      Mixed media on electric chord organ
      30 x 24 1/2 x 10 in
      76.2 x 62.2 x 25.4 cm
    • Zach Harris Three Bodies, One Eclipse, 2019-2022 Water-based paint, linen, graphite, and ink on carved wood 54 x 31 1/2 in 137.2 x 80 cm
      Zach Harris
      Three Bodies, One Eclipse, 2019-2022
      Water-based paint, linen, graphite, and ink on carved wood
      54 x 31 1/2 in
      137.2 x 80 cm
    • Eddie Ruscha Untitled 7, 2022 Acrylic on paper 16 3/4 x 14 in 42.5 x 35.6 cm Framed: 20 x 17 in 50.8 x 43.2 cm
      Eddie Ruscha
      Untitled 7, 2022
      Acrylic on paper
      16 3/4 x 14 in
      42.5 x 35.6 cm
      Framed: 20 x 17 in
      50.8 x 43.2 cm
  • For more information contact info@altmansiegel.com or 415.576.9300.